We are a Nordic agency with a Mediterranean family
We are Lazy snail Design, an awarded tight-knit team of dedicated professionals devoted to graphic design, branding, illustration, and photography with a passion not just for great results, but for creating the best possible process to get there as well.
What Defines Us
GEEKS WITH PASSION FOR DESIGN AND PERFORMANCE
We’re geeks with a passion for creating designs based on strong ideas. If art is all about freedom of expression, then we are definitely not artists. We love the problem-solving aspect of our craft, and we thrive on restrictions!
THE BEST OF BOTH WORLDS
We are a Danish agency with a Greek family. The DNA of both worlds — minimal and maximal — flows freely throughout our work, enabling us to reach out and design for different cultures around the world, depending on the nature of the project at hand.
THINK BIG, WORK SMART
We are in the business of ideas and visual communication. Unlike other jobs, a larger workforce doesn’t always mean better results. We believe that a small, carefully selected group of talented individuals genuinely working together, is capable of producing excellent results.
What Defines Our Work
THE BIG IDEA
We feel that every design should have a robust Big Idea at its core. This idea should be simple yet potent and clearly expressed in the design.
SUSTAINABILITY
We believe in leaving a better future for our children and future generations. The concept of eco-effective packaging inspires our design efforts and values.
VERSATILITY
We have worked across Europe, North America, and Asia, on large FMCG companies, large-scale projects, coordinating many partners and handling numerous and complex deliverables; but also on small projects that require a more customized approach. We have thus learned how to achieve results within any budget, large or limited.

headquarters
other locations
Focus
Portfolio
Danone S.A., Actimel France, France Societe des Eaux Minerales d' Evian S.A.E.M.E. Volvic, France Danone S.A., Top Lines Waters Danone Universal Robina Beverages Inc., Philippines Danone S.A. Actimel Global, France Cava Spiliadis, USA & Canada Kiriakaki Antonia S.A., Greece Candiasoil Ltd, UK Olive oil Producers Co-operative of Viannos "Bienna", Greece Sarantis Group, Czech Republic & Poland Crowe Statsautoriseret Revisionsinteressentskab v.m.b.a.,

Ena Karo, natural soaps
Ena Karo, located in Tinos, Greece, is a small workshop that produces natural soaps and toiletries with an environmentally conscious mindset.
We used the LCA methodology to assess the environmental impact of the product over its entire life-cycle. We researched all available solutions and went through the deficiencies of the previous packaging.
We came up with monomaterial choices—all thoroughly checked in terms of production, use and afterlife— and just the right amount of packaging to protect the product while reducing waste and transport energy.
We repositioned the brand, adjusting for its eco-friendly mindset, growing production and future export plans.
The brand’s logo has grown to become recognizable and loved so we did not want to take this element away. The characteristic cycladic architecture is an inspiration for the brand’s owner, with the logo directly referring to Tinos’ traditional bird houses.
We went after a visual balance between the organic natural look of the ingredients and a sense of order through careful arrangement and distinct shapes. The idea was to highlight our clients’ philosophy and maintain the connection between the finished product and the raw materials through geometric illustrations where the carefully selected ingredients seem molded into the soap’s shape.
We kept the color palette neutral with grainy and textured rendering completing the minimal design with lots of white space -another fundamental element of the cycladic architecture.
For the boxes’ inside we created a typographic composition that encourages customers to reuse the containers or recycle them properly.

Minoan Spora Branding and Packaging Design
Minoan Spora is a range of products from the island of Crete, including olive oil, herbs, and infusions, honey, olives, rusks, and cookies.
Inspired by the authentic Minoan diet, famous across the world for its health benefits, Minoan Spora products are described as ‘The jewels of Minoan land.’
Hence for the packaging, we researched the elegant Minoan jewelry to create geometric patterns depicting the ingredients of each of the products in the range. The color palette mostly refers to the frescos and archaeological findings from this era; however, earth tones were also used to represent the Cretan land and the process of sowing.
*Spora = the Greek word for sowing, the process of planting seeds.
Winner of the German Design Award 2018

Branding for Greens N Yellows
Greens and Yellows is a new range of frozen vegan meals produced in Crete and sent around the globe.
We were tasked with developing the strategy, name, visual identity, and packaging design of the new range.
Inspired by the natural ingredients abound in the Cretan landscape, we built the brand around the concepts of nature, innocence, and honesty. The brand and packaging design aim to resemble a typical Cretan experience- having your meal served straight after collection, sometimes by the farmer himself. Going for mouthwatering realism and eye-catching colors, we used two illustration techniques: the photorealistic part for the product & fork and the vector art for the natural background of each bite. In naming the range of products, we wanted something that was both contemporary and visually connected to the actual meals. To give the logo an extra ‘pop’ we opted for handmade lettering.

RHOUS WINERY
Brand positioning, naming, logo, corporate identity & labels for Rhous Winery
The task: New positioning and rebranding of Rhous Winery.
Our approach: As Cretan winery Tamiolakis was passed down to the new generation of
winemakers, a new name and visual identity were needed. “Rhous” stands for flow in ancient Greek, reflecting the stream of events that brought the young couple together in wine making. The logo is made up mainly of round shapes to visualize the concept of flow, while the wine labels tell the stories of the two winemakers through the journeys of important explorers in history.
Results: Rhous winery increased its sales by 30% in Greece and by 100% abroad, penetrating the markets of USA, Canada, UK, Austria, Germany, Cyprus and The Netherlands.
*Nominated for a 2016 Ermis Award

Buketo Brand strategy, logo and label design
Brand strategy, logo and label design
Buketo is a wine series produced in Greece and imported to USA and Canada by wine import company, Cava Spiliadis. Targeting youthful and open-minded wine seekers, the design brief called for a compelling, modern and stylish label.
Buketo wine, named after the Greek word for 'bouquet,' is created from grapes picked like flowers, assembled for the perfect bunch every year. We played with this idea of a harmonious arrangement of elements and designed geometric compositions of fine lines vs. blocks of color and sharp edges vs. perfect circles. A larger composition is formed if the two bottles for the white and the red wine are presented next to each other.
The result is sophisticated and minimalistic, appealing to the target group, while also connoting the quality of the wines.
The Buketo logo is also geometric and minimalistic but builds on the idea of a bouquet in a more literal way. We designed a bunch of three flowers referring to the aromatic character of the wines, as well as the three grape varieties used in making each of the wines in the series.

Brand Image and Design for Olive Oil Cooperative of Viannos (Bienna)
Packaging design for the Olive Oil Cooperative of Viannos (Bienna)*
65 olive oil producers from the Cretan village Viannos decided to form a cooperative by joining hands and creating their very own olive oil brand. The PDO Viannos olive oil is known for its excellent quality and unique taste due to the semi-mountainous terroir of the area. The producers themselves who are, above all, good friends, were the source of inspiration for the packaging. The bottle, painted black, features a tree, with the names of the producers as its leaves, representing this sense of unity and devotion to creating an authentic product. At the same time, it visualizes the close relationship the producers have with their motherland.
* Awards:
• The Dieline Awards 2016 Outstanding Achievements,
• 1st place in Dairy, Spices, Oils, Sauces & Condiments
• Red Dot Award: Communication Design 2015
• Nominee in the German Design Awards 2015

D.TAILS
D.TAILS is a Danish e-commerce consulting agency specialized in all things Shopify.
Our visual identity positioned D.TAILS as experts in building the foundations of e-commerce success. We designed the logo and website to embody this fundamental element of the software that most of us use daily without stopping to think about it.
We created a custom typeface to make the website copy appear more code-like, which is also visible in the characteristics of the logo.
Our custom font was inspired by monospaced fonts. Despite the computer evolution, most code text editors still use a monospaced font as the default typeface.

The Happier | E-commerce
Happier is an eCommerce store with a carefully curated selection of sustainable clothing products.
Based in Finland, the store provides options for women and children.
Determined to encourage and excite people to make better, more sustainable choices when it comes to fashion.
We designed the store’s logo and visual identity.
For the logo design, we played around with the Pangram Typeface, altering the letters and creating a new look that gives the feeling of browsing through a wardrobe. With various cropped shapes out of that logo, we created a pattern that would be used in multiple applications such as packaging, stationery etc. An element that visually unifies and always refers back to the brand in a subtle manner.
A nude palette alludes to the natural element and allows for the products to pop out. We also designed a family of icons that are fully integrated into the store’s aesthetics to inform the customers on the products’ specifications and general characteristics.
We dove deep into the brand’s strategy and philosophy and provided design guidance that would make for a visually pleasing and highly functional website.
The challenge of thinking out of the box when imposed with certain guidelines led us to customisations on the visual aspect. Once the decisions on the content and overall look were made, Danish Shopify PLUS Partner D.TAILS took over for the theme customization development.
The crops of the photographs, the custom iconography, the volume and boldness of all design shapes together with the well-thought setup and content make for a unique look.
thehappierstore.com

Pulp
Pulp is a wine pop up store located in Valby, Copenhagen, Denmark.
Behind this store, is an accomplished sommelier with great experience and a positive attitude. Having worked at Relæ, Noma and Vivino, Russell, the owner of the shop, now dreams of a space to host all about wine.
We were asked to create a character-based identity with a warm, funny feeling. We started with character illustrations inspired by the cartoons of the 20s and 30s and went on to fuse this look with the typography of the logo.
Since pulp is a soft, shapeless mass of material, we decided to provide our character with the same feeling in terms of movement and form. Not only did we give our character a distinct look that way, but we also employed the squash and stretch movement that is very common in cartoons.
We wanted to keep the colour palette simple, using the classic black and white with the earthy colour of craft paper, wood, or other material used as a background.
Trine Rask’s typeface Slik was used for posters and all related applications.
The identity includes the creation of logo, printed material, wine boxes, wrapping paper, stickers and more as the brand evolves.

Olimera
The Savoidakis Bakery in Greece created a new baked goods range consisting of rusks, breadsticks, and cookies, with the purpose of selling them in grocery stores in Greece and abroad.
Guided by their philosophy of “extra fine is always on top of everything we do,” we were to name the new range, and develop the strategy, visual identity, and packaging design that could accommodate their ever-expanding range of baked goods, while still achieving shelf-standout. The challenge consisted of creating a packaging design that was easily recognizable as a brand, yet still left plenty of room for different products to be introduced into the range.
The products are easily combined with other food groups and can be consumed throughout the day, as part of breakfast or a meal or as a midday snack. Using this as our starting point, we decided on the name Olimera, meaning ‘all day’ in Greek. We used the color white to resemble the wholesome and pure ingredients that that bakery uses in its products.
We used handwritten typography to describe each product and to work as a font family, but every character is handcrafted giving the packaging a personalized and homey feeling; it is also a clever way to differentiate between products within an ever-expanding range and achieve shelf-standout.
Olimera was an opportunity for us to show that it’s possible to create a contemporary packaging design within the current trends: good-looking, recognizable packaging that appeals to a broader audience.

Siganos S.A.
Premium spirits catalogue design for SIGANOS SA
SIGANOS SA was founded in 1971 in Agios Nikolaos and has since been established as a company of liquor distribution and trading, both in the wholesale and retail sectors. For the 2015 tourist season, the company wanted to create a catalog of the premium spirits it offers, targeted at bartending professionals.
The concept was based on promoting each spirit’s country of origin and its culture, thus creating attractive images in readers’ minds. We aimed to highlight each spirit’s exquisite character through the idea of cosmopolitanism; a tasting journey that may inform, as well as inspire bartenders to try new combinations.

Dear Skin
EVERCRETE company has created a range of natural cosmetics based on organic avocado oil from Crete, that is to be placed at pharmacies and specialized stores in Greece and abroad. Benefits of avocado oil include protection from the sun and skin inflammations, moisturization, nourishment and treatment for dermatitis and other skin irritations.
Our approach to the packaging is minimalistic, with the white background symbolizing the innocence and honesty of the brand. A single line has been used to design the three variants (for general use, women and kids), showing indicative usage occasions of each product. In terms of printing, we have envisioned silkscreen on craft paper to show the purity and eco-friendliness of the product.

Choco Wafer
We believe in showcasing some of that good work that got sidelined every now and then during the making process.
Such is the case of this chocolate wafer.
Mojo stands for good luck, charm or skill that comes from something magical or supernatural.
Targeting mostly young people, this product allowed us to explore some out of the box ideas.
Cats are full of surprises. Always alert, they display their unexpected manners unapolologetically. A cat's mood can swing back and forth between an absolute cuteness ambassador and a blood thirsty predator within seconds.
We loved that they could fill the shoes of every conceivable character we could think of.

B'lue Z-Ro
B’lue Z-Ro is a water-based drink by Danone Universal Robina Beverages in the Philippines.
B'lue Z-Ro is a calorie-free and sugar-free flavoured water-based drink. The product was created for those who aim at a healthier lifestyle- people who want to hydrate and enjoy water-based drinks without sugar.
Amongst our design proposals the winner concept was that of “The island”. Our central idea was to create an island of flavour in the big blue- a perfect match to the Philippines’ geography.

Sikinnis
Sikinnis is a newly founded Dance and Performing Arts Centre.
Dedicated to experimentation and research, Sikinnis aims to promote artistic expression and facilitate the creation of a passionate human network.
The name of the centre, Sikinnis, refers to the dance of the chorus in the ancient greek satyric drama. A loud and fast dancing to the sounds of lyre or flute.
This contemporary establishment asked for a boldly designed logo. Movement was, of course, one of the main concepts that our design had to represent but we wanted to emphasize the idea of a strong structure as well. A sturdy castle that could provide shelter to all kinds of expressions of the performing arts. The idea that helped us reconcile the flow of movement with the rigidness of a building was joints. We treated every turn of the heavy type forms as pivot points, giving the final structure a sense of movement caught in a snapshot rather than looking overly static.
Complementing this structural design with organic-looking and gestural illustrations brings a really appealing contrast but it also provides a personal touch by depicting characters from Kostantinos' past performances.
A choice that seemed rather fitting for the first phase of this brand identity.
The initial applications presented here, compose the basic set of stationery including business cards, envelopes, and letterhead alongside some promotional material.

Visual identity for Orea Kriti network.
Orea Kriti
Visual identity for Orea Kriti network.
The Orea Kriti network, part of the LEADER program, promotes the livestock farming tradition in Crete through the creation of “Educational Farms.” An excellent example of ecotourism development, these farms give visitors the opportunity to become familiar with the production procedures, supporting farmers financially, but also revealing different aspects of Greek tourism.
We designed the logo, the visual identity and the website of the Orea Kriti network, as well as the farm route maps. Drawing inspiration from the wood print technique, we used an earth color palette to illustrate typical Cretan landscapes, flora, fauna and the farmers themselves while involved in traditional agricultural activities.
* Merit at the EBGE Awards 2016 (Greek Graphic Design and Illustration Awards)

MEDeat
Gastronomy and itinerary maps for MEDeat project
The Transnational Cooperation Project “Gastronomy Routes and the Culture of Flavours” (MEDeat) is part of the E.U. Rural Development Programme (LEADER), whose aim is to promote the local character of European rural areas and in specific their gastronomic and wine history.
For us, MEDeat was a beautiful trip. We discovered rural areas of Portugal, Italy, Greece, and Cyprus through their rich natural environment, history, distinctive tastes, and aromas.
Our idea was to visualize those gastronomy routes playfully and uniquely: under the slogan ‘A yummy slice of Europe,’ our maps are joyful and adventurous, just like the routes themselves.
Reviews
the project
Branding & Visual Identity for Sports E-Commerce Retailer
"They created a unique visual identity that appeals to our customers and brands."
the reviewer
the review
The client submitted this review online.
Please describe your company and your position there.
I am the co-founder and partner at The Happier Store, a Scandinavian e-commerce platform for sustainable sports clothing.
For what projects/services did your company hire Lazy snail Design?
As a new company entering the market we were certain that the very first step of a successful business is to build a strong visual identity and the best website design to ensure trustworthy and professional first impression. In general the e-commerce market is quite mature and plenty of good platforms are available for our target group. However, none of the the resellers really seems to invest in brand building and the visual identity of the website. We wanted to hire an agency with good track record for visual identity creation for sustainable brands and who really takes the extra step to understand the target group and entry markets.
How did you select this vendor and what were the deciding factors?
We started off by shortlisting three different Shopify partners to understand how the "tech" focused agencies approach our challenge. None of the pure tech providers seemed to understand the value of a strong, personal visual identity and offered basic themes and off-the-shelf solutions. After a RFP round with three Scandinavian Shopify-partners we ended up with a convincing setup through Lazy Snail and D.tails (chosen Shopify partner). Their sincere enthusiasm, professional preperation for the meeting and smooth common communication convinced us!
Describe the project in detail and walk through the stages of the project.
In the very first meeting Lazy Snail wanted to understand our business plan and targets in detail. They wanted accurate information about our target groups and competitors in the different markets to build an approach suitable for the market entries and easy enough to scale globally. Lazy Snail suggested a comprehensive approach for us including market study, concept and visual identity, content design for all touch points with the main focus in website design and UI/IX. They worked closely with the tech provider (D.tails) and ensured that the visual identity of the website is implemented as planned.
How many resources from the vendor's team worked with you, and what were their positions?
We worked with 3 people from Lazy Snail throughout the project. One head designer, creative director and project manager. We truly appreciate that despite the hard times (Coronavirus and lockdown) the agency was able to deliver the project without changes in the team or schedule.
Can you share any outcomes from the project that demonstrate progress or success?
Lazy Snail delivered everything as agreed and in time. Our visual identity and website has received tons of spontaneous positive feedback from customers and brands we work with. The biggest outcome however is that we managed to kick off sales for completely new customers as a new brand during the first week of soft launch and nearly made our sales targets for the first operating month. We have a fully tested, beautifully operating e-commerce business with a good looking future for good financial success. An e-commerce platform can have financial success only by:
- being thrust worthy (look & feel)
- having a good conversion rate (good UI/IX)
- offering a wide enough selection and the right pricing (that´s our responisibility)
- good marketing and nurturing setup through out the purchase funnel (that´s on us too)
How effective was the workflow between your team and theirs?
Very agile and easy workflow. First of all, we also saved a lot of money by having the communication between the designers and tech provider working hand in hand.
What did you find most impressive or unique about this company?
They created a unique visual identity that appeals to our customers and brands. Then, they translate it to a fully functional, easy UI/IX e-commerce platform. With nearly 15 years of experience in Nordic e-commerce I can honestly say, that not many branding agencies can actually design a visual identity that is fully implementable in e-commerce.
Are there any areas for improvement or something they could have done differently?
In order to offer continuous support for companies like us, it would be beneficial to have production ad´s in the team or close co-operation with good freelancers able to implement the visual identity in marketing channels.
the project
Branding for Shopify Consulting Company
"Their creativity was amazing."
the reviewer
the review
A Clutch analyst personally interviewed this client over the phone. Below is an edited transcript.
Introduce your business and what you do there.
We’re an agency working in Denmark with a total of eight people. I’m the owner and CEO of the company. We work exclusively on Shopify projects and are currently scaling up.
What challenge were you trying to address with Lazy snail Design?
Our brand was nonexistent and we didn’t do design work in-house. They agreed to help us develop a brand design to back our company’s story.
What was the scope of their involvement?
They started with interviews with our team, asking questions about our goals and story. From there, they created a logo, which is what we asked for. While we were only looking for a logo at first, they convinced us that it would be helpful to showcase our brand through additional design assets. Much of our work is coding, which can be difficult to visualize in an engaging way. They addressed that issue by creating a type font for our sole use. Through the values we communicated at the start of the project, they distilled a type font for our company.
What is the team composition?
We had one primary contact, but others on the team were definitely involved.
How did you come to work with Lazy snail Design?
We met them in a Shopify tech partner space, where they were discussing their design work. We don’t do any design in-house, so there was a natural match. They agreed that we had an amazing story and offered to help us showcase that in our brand designs. I was impressed with their past projects and their confidence in their skills.
How much have you invested with them?
The original offer was €20,000 (approximately $24,100 USD).
What is the status of this engagement?
We worked together from February–April 2019.
What evidence can you share that demonstrates the impact of the engagement?
Having an identity that we can be proud of has been a game-changer. After working with them, we had clients calling us to compliment our brand designs.
The process itself was really amazing. I was initially a bit skeptical of brand designers, but I learned a lot about my own business from working with them. It was impressive to see them translate our ideas into visuals with a tangible look and feel. Of course, the end results were also amazing, but the process gave me knowledge I wasn’t expecting.
If you asked me years ago, I could’ve never envisioned buying into a project like this for a logo. However, I’ve found that we’ve received so much more from their services. They’ve helped us discover who we are and where we want to go with our business in the future. The process doubled as a mentoring relationship.
How did Lazy snail Design perform from a project management standpoint?
They provided us with a primary contact to make communication easy and efficient for us. We communicated over email and through our meetings.
In the middle of the process, they invited my entire team to a meeting where they shared their progress. That allowed them to get feedback and buy-in from everyone on my team. They were on top of everything, so always felt like we were in good hands.
What did you find most impressive about them?
Their creativity was amazing. They came to us with five design options in the end, which really exceeded my expectations. We could’ve gone with any one of their designs and been happy. Looking back, it’s impressive how much they delivered for the price.
Are there any areas they could improve?
At the end of the project, I was super happy and satisfied with the price. They overdeliver for the price they charge.
Do you have any advice for potential customers?
Work with them.
the project
Branding for Natural Wine Supplier
“They went above and beyond to make this project happen.”
the reviewer
the review
A Clutch analyst personally interviewed this client over the phone. Below is an edited transcript.
Introduce your business and what you do there.
I’m the owner of a natural wine shop called Pulp Wine DK.
What challenge were you trying to address with Lazy Snail Design?
I was targeting other communities in Copenhagen that didn’t have access to natural wine, and I needed to have a strong brand that I could build my store behind.
What was the scope of their involvement?
Lazy Snail Design created a brand for my natural wine business. We initially spoke on the phone to introduce ourselves. They walked me through their process, discussing the research that they’d conducted to determine who I was as a person. And, I explained my goals for my company as well as my vision for my brand.
I really wanted a cartoonist-sort of look — something that was whimsical and showed my playfulness while still being serious. However, instead of just doing exactly what I wanted, their team created their own image based on all of the things I mentioned. They presented five brand identity plans to choose from with 3–4 revisions on those. After each meeting, we’d make tweaks or cut one away before we nailed the last one.
From there, they offered a whole scope of packaging and brand opportunities. The first deliverable was a logo, of course. Then, they went through every little detail that I found important, right down to the merchandise. They helped put a big mural on the side of my building (still yet to be used) and even added details to the windows, too.
What is the team composition?
I worked with Jannik (Chief Executive Snail) and Ioanna (Head of Design) who were the dream team. They went above and beyond to make this project happen. I believe they had other employees, but I never worked with them directly.
How did you come to work with Lazy Snail Design?
It was through a Google search. From the first email, I could tell that Lazy Snail Design was serious. They really wanted the project whereas the other firms I spoke to weren’t as responsive. I also noticed that every project they’d worked on seemed like it was from scratch. That is to say, they weren’t using a cookie-cutter template; all the brands looked very different, and the identities were well-thought-out.
How much have you invested with them?
It was 64,750 krona (approximately $7,500 USD).
What is the status of this engagement?
They worked on the core elements of the brand between April–November 2020, but the COVID-19 pandemic has slowed down my process a lot. Once this blows over, I’ll re-engage them.
What evidence can you share that demonstrates the impact of the engagement?
There’s a lot of materials that I haven’t started using due to complications from the pandemic, but I’ve received a lot of great feedback from the general public. The longer we’re open, the more and more I love the brand. It appears to be very timeless, which is great because I plan on scaling up my business pretty heavily.
How did Lazy Snail Design perform from a project management standpoint?
Ioanna was incredibly efficient. She was always trying to focus me on what was important and advising me on what should be approached first. It was a new experience for me, so I appreciated that she was holding my hand a bit. To communicate, we used Zoom for the first couple of meetings then started to call each other up on the phone when we became pals.
What did you find most impressive about them?
I’d say they chose me as a client just as much as I chose them because we were aligned on our values. They’re a business, but they’re personable and friendly as well. That made it easy for me to convey my feelings to them, so they understood me more as a person.
Are there any areas they could improve?
No, it was 100% a positive experience.
Do you have any advice for potential customers?
Speak your mind, and they’ll turn that creative energy into something that’s truly unique and wonderful. I showed them maybe 100–150 Pinterest ideas that were all jumbled up, and they created something timeless out of them that I couldn’t have done.
the project
Identity & Exhibition Design for Non-Profit Organization
“They bring fresh ideas to every project—new ways to present ideas, share messages, and design materials.”
the reviewer
the review
A Clutch analyst personally interviewed this client over the phone. Below is an edited transcript.
Introduce your business and what you do there.
I’m part of the networking and cooperation project department within Heraklion Development Agency. We work with local actors and municipalities in Heraklion, the capital of Crete, Greece. We develop projects for municipalities and implement them across a variety of sectors, including tourism, culture, local products, and more. I’m responsible for programming, design, and staffing these events. For example, we’d design a promotional project for a local product, and implement the event throughout Europe with local actors.
What challenge were you trying to address with Lazy snail Design?
We were working on a promotional project for gastronomic itineraries in Cyprus, Portugal, Italy, and Spain. Our goal was to establish strong gastronomic routes throughout the regions and then promote them to the broader public. We needed a vendor to put together a full identity for the project, complete with a collection of corresponding marketing collateral.
What was the scope of their involvement?
When we first engaged Lazy snail Design, we didn’t have a solid direction. Their team helped us formulate a few key objectives and the scope of work for the project. First, we developed a targeted promotional strategy and expanded that into an action plan that spanned our education, tourism, and recruiting sectors.
Using our plans, Lazy snail Design put together a series of informational and promotional packages, tourist leaflets, guides, general maps, and books that matched the project identity. It was difficult because we needed to display a cohesive message across multiple languages.
When we decided to participate in international fairs, the team designed every aspect of our exhibits. They provided press gifts, promotional materials, and engagement strategies that aimed to attract public interest and instill a sense of confidence in our services. Throughout the project, the Lazy snail Team regularly suggested new ideas to improve our efforts.
What is the team composition?
I interacted with their full team, but my main points of contact were Ioanna (Founding Partner & Head of Design, Lazy snail Design) and Jannik (Founding Partner, Lazy snail Design). I was free to speak with other staff as necessary.
How did you come to work with Lazy snail Design?
We’re both located in the same small city, so we had an idea of what agencies worked in each field. We ultimately chose Lazy snail Design because they offered unique and refreshing ideas. Moreover, they were very time-oriented in our first interactions.
How much have you invested with them?
We spent around €50,000–€60,000 ($56,700–$68,200 USD).
What is the status of this engagement?
For this specific project, we worked together from early 2014–December 2015. Currently, we’re working with them on a new product.
What evidence can you share that demonstrates the impact of the engagement?
Because of Lazy snail Design’s work, we were awarded for our visibility and stand attendance at an exhibition in Berlin, and we received a second award from the Ministry of Agriculture for our innovative project. We know we can trust them to deliver top quality work at a local level.
Additionally, time was the main factor for us. If we didn’t complete the product by our deadline, it would’ve lost half of its value. Professionally speaking, we pushed Lazy snail Design pretty hard, but they still delivered work that met all of our requirements. We were very impressed.
How did Lazy snail Design perform from a project management standpoint?
We needed to collaborate closely, specifically during tight timelines. We stayed in touch via email, chat tools, phone calls, and in-person meetings. If our contact points were away at a conference, we’d schedule a Viber call. We’d choose to meet in either of our main offices or a remote location convenient for both sides. When we were scouting international fairs, they’d join to get context for exhibition designs. We have several bureaucratic procedures within our company, so we often asked them for new proposals at the very last moment. Despite this pressure, they consistently delivered.
What did you find most impressive about them?
They bring fresh ideas to every project—new ways to present ideas, share messages, and design materials. Their team has depth. We have access to every staff member, and they’re always prepared to address our questions and concerns.
Are there any areas they could improve?
There’s always room to improve. Lazy snail Design could focus on growing their local market presence. Also, they’re responsive across all of our communication channels, but we’d prefer to meet in person more often.
Any advice for potential customers?
Clients shouldn’t rush into any decisions based on Lazy snail Design’s first draft. Their second idea is generally more detailed and straightforward. In our specific case, we didn’t have a clear plan. We came up with the vision together. Lazy snail Design’s initial work wasn’t exactly what we had in mind, but we trusted their team’s methodology, and the delivery surpassed our expectations.
Lazy snail Design suggested a comprehensive approach to the client's market study, concept, and visual identity. They came up with a new brand identity that helped the client achieve their sales targets for their first operating month. Moreover, the vendor provided an agile and easy workflow.